It felt like an indulgence. Going back was painful, but, at the same time, it was nice to live with them again for a few pages. I got to live with my brother again for the entire book. Of course as I'm writing the book, I'm getting closer and closer to the end and I know what that means. I knew exactly where I was heading. It was really difficult, but it was nice to make them come alive for those scenes. It was good.
Jesmyn WardMy father owned pit bulls when I was young. He sometimes fought them. My brother and a lot of the men in my community owned pit bulls as well: sometimes they fought them for honor, never for money.
Jesmyn WardI wanted to write about voodoo tradition that I feel has been very important to survival of black people here: people of the African diaspora, people of this region, and throughout the south.
Jesmyn WardI have never written a novel that volleys back and forth between a couple of different first person perspectives. It's definitely a challenge because I had to think about who knows what, when do they know it, when are they sharing what they know or what they think they know, how the reader's perspective affects things. Telling the story in that way is challenging. It does require a lot of revision.
Jesmyn WardI think that I'm trying to hopefully change my children's ideas about what is possible, and about what is possible for them.
Jesmyn WardI came to the realization that I had failed in some respects because I had been more of a benevolent narrator than the world I saw reflected around me, and in the lives of the people in my community, and in my family. There was no benevolent God sparing us pain and loss and grief and struggle. If I was going to continue to write about the place where I am from, and the kind of people who live in my community and who are in my family, I owed it to them to be honest with what our lives are like.
Jesmyn Ward