I see so many talented writers of color struggling to get their work out to an audience. I know that's the case for all writers - everyone's struggling for attention - but I do think that for writers of color it's harder, and for women it's harder, and for regional writers it's harder, too.
Jesmyn WardI see so many talented writers of color struggling to get their work out to an audience. I know that's the case for all writers - everyone's struggling for attention - but I do think that for writers of color it's harder, and for women it's harder, and for regional writers it's harder, too.
Jesmyn WardI want each character to be as unique as possible. I want them to reflect something of who they are in the way that they move and in how their bodies work. That was foremost in my head when I was writing Salvage: I wanted every gesture, every little movement, to really carry meaning and communicate meaning to the reader. I was very conscious of that when I was writing.
Jesmyn WardWhen you have a family, even though you might move a lot, you collect all of these things. It's the detritus of your family and they become the symbols of your family life, and your unit out in the world. In that moment I wanted to allude to the fact that the way my parents' relationship was falling apart was impacting me and my brother, my parents, but also our symbols.
Jesmyn WardI'm writing about the things I see all around me. Growing up in Mississippi, I've seen how these backward ideas about class and race and healthcare and education and housing and racism impact everyday lives. For example, my mother wouldn't let me go to my homecoming dance because the yacht club where they were having the dance threw a fundraiser for David Duke, an ex-Klan member, when he was running for governor of Louisiana. So I grew up seeing how personal politics could be.
Jesmyn WardI've also never written about home in this way before. I guess a lot of it is subconscious and I am intuitively making these decisions when I'm writing. I wanted to communicate in the book that on one hand, being at home - both in our homes and in DeLisle - gives us a sense of belonging and family and safety, but at the same time, being in those places makes us less safe.
Jesmyn Ward