In the days that follow, he begins to remember things about Moushumi, images that come to him without warning while he is sitting at his desk at work, or during a meeting, or drifting off to sleep, or standing in the mornings under the shower. They are scenes he has carried within him, buried but intact, scenes he has never thought about or had reason to conjure up until now.

That the last two letters in her name were the first two in his, a silly thing he never mentioned to her but caused him to believe that they were bound together.

The thought of Christmas overwhelms him. He no longer looks forward to the holiday; he wants only to be on the other side of the season. His impatience makes him feel that he is incontrovertibly, finally, an adult.

It's easy to set a story anywhere if you get a good guidebook and get some basic street names, and some descriptions, but, for me, yes, I am indebted to my travels to India for several of the stories.

On a sticky August evening two weeks before her due date, Ashima Ganguli stands in the kitchen of a Central Square apartment, combining Rice Krispies and Planters peanuts and chopped red onion in bowl.

Being a writer means taking the leap from listening to saying 'Listen to me'.

The first sentence of a book is a handshake, perhaps an embrace.