[Iggi Pop] is very self-taught, self-educated, but, man, that guy knows about so many things.

My films are about the little things that happen between people that are sometimes far more valuable and insightful than the big dramatic things that happen.

If you have a counterculture band, you put a name on it, you call them beatniks, and you can sell something - books or bebop. Or you label them as hippies and you can sell tie-dyed T-shirts.

I like that cartoons are now not only animated drawings, they are a way of doing something: 'That song sounds very cartoony', or 'He has a cartoon face'. Like the word 'poetic', which usually means something different than a poem. But most of all cartoons are comforting, that's the real reason I need them.

I will say it's great - that Method Man - Cliff Smith - plays a rapper in a laundromat who is working out some lyrics sort of to the rhythm of a washing machine. And something about hip-hop culture and hip-hop is the ability to use current language and slang and reference details of life is very, very strong for me.

You can define everything as being political and analyze it politically.

When I studied with Nicholas Ray he was always telling us, "If you want to make films, watch a lot of films, but don't just watch films, go take a walk, look at the sky, read a book about meteorology, look at the design of people's shoes. Because all of them are part of filmmaking." So I thought, perfect! That's a good job for me.