I think regionalism was a little easier before mass communication was made possible. This is not to say that regionalism doesn't exist anymore. I think it does.

When I would present my work as a student, often I would hear, "Your project is too formal" - it's too form-based; it's too form-driven. Which is kind of shocking for a visual practice, for someone to say something discouraging about a focus on an exploration of aesthetics.

The diagram of the house is a portrait of the family, a true portrait, whether it's sad or happy.

In some cases there are ways of thinking about what an architectural program produces - interior and exterior - that is not necessarily directed by an economic requirement, but is a diagram based on human actions, selfish or otherwise.

It's important to write a mystery novel where the takeaway is not a giveaway - where something could be read over and over.

Every time I traveled to a new city, I would learn about local heroes I did not know about, and I would learn about their very impressive contribution to their cities.

The dining room is a building; the bathroom is a building. If we scatter this single-program architecture inside of a domestic environment, we can link an interior urbanism in a way similar to a village or a township of tiny houses.