It's important to write a mystery novel where the takeaway is not a giveaway - where something could be read over and over.

The idea of morphology of languages is something that I'm really interested in. How does German turn to Dutch, and how does Dutch turn to Anglo-Saxon and eventually English? Morphology is actually taking place through things like Twitter or GChat today, where we're changing how things are spelled, and those spellings are accepted as standard now. Morphology happens over time. It's not necessarily a bad thing.

Every time I traveled to a new city, I would learn about local heroes I did not know about, and I would learn about their very impressive contribution to their cities.

Communication requires cultural context, and technology facilitates our ability to cross-reference ideas over time. Charles Moore were saying: Enough with the sterile, context-less architecture. Enough with the functional-minded frame of operation. How about a little mess? How about a little, let's say, syntax? A little quotation using history? How about some other meanings or symbols? I think that's the only logical reaction when you have to thoughtfully manage the communication of a lot of information.

To apply poetic license or to apply incorrect arrangements requires the idea or the understanding of correct arrangements - becoming an expert of the conventions of correct arrangements in order to misplace them. In other words, misplacing things with the understanding, or even the mastery, of normalcy is actually quite poetic. These are rule-based operations.

It's important to write a mystery novel where the takeaway is not a giveaway - where something could be read over and over.

The dining room is a building; the bathroom is a building. If we scatter this single-program architecture inside of a domestic environment, we can link an interior urbanism in a way similar to a village or a township of tiny houses.