Every time I traveled to a new city, I would learn about local heroes I did not know about, and I would learn about their very impressive contribution to their cities.

Morphology happens over time. It's not necessarily a bad thing.

The diagram of the house is a portrait of the family, a true portrait, whether it's sad or happy.

It is possible to construct small realities that contain political or philosophical responses, not necessarily just practical or economical responses.

When I would present my work as a student, often I would hear, "Your project is too formal" - it's too form-based; it's too form-driven. Which is kind of shocking for a visual practice, for someone to say something discouraging about a focus on an exploration of aesthetics.

In order for architecture to experience its ongoing evolution as a language, there has to be a lot of adjusted copies between how architects draw, think, engage bylaws and constraints.

The world is meaningless and therefore it's funny.