Celebrity hits like a bomb. So you have to find what makes you stable in the storm. Then, no matter what's happening around you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

I'm always sitting down and talking to people that are doing independent features. It depends on the project and the quotient of the people that are involved. There are a lot of different reasons [to do something], like a particular script that resonates with me, in a particular way. It may not so much even be about the part, but what the script has to say.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

There are no right and wrong ways to work in this business, but there are some basic common-sense practices. Work very, very hard and always be prepared; never give up; and once you get the job, give them more than they ever expected: - Shine!

There's something so familial and intimate between a boxer and his trainer.

I never thought television would or could be a long-term commitment.

There are a lot of doors that still get shut, and there are a lot of walls to still breach. But, the stuff that does come across to me, or that I hear about or read about, that I'm willing to go out there and fight for, I still have to go audition. I do have a certain leeway to choose, from that group, what I want to say, as an artist.