I want the people making this music to stick to what they know in terms of ensuring that they remain true to that and the authenticity. Don't be afraid to be original and explore of course, but don't necessarily abandon certain standards in order to try to appeal to other people.

I suppose I like to give people something to talk and think about. I can just be the person that kind of put a message in the bottle to see where it ends up.

I like somebody I can consider edgy, because, I also find that when people see me; the first thing they might think about me, musically, is that I rap or make beats, in the sense of trap or hip-hop or whatever, and when they hear what I actually create, they'll often be like, 'Wait a minute, I wasn't expecting this'.

Well, when you think music-wise, and if you hang with me or you see me or whatever, the average person will be like 'oh yeah, she probably raps'. This is that stereotype and then I do what I do, so they're more like 'oh, I wasn't expecting this whatsoever'. This especially links with the idea of being a woman in this kind of work and within the footwork genre.

My comfort zone musically, I wouldn't necessarily say I have one now. But, when I did have one, I can definitely identify that it was sampling. I had to identify it honestly as sampling because I started to become dependent on using samples in order to make a track rather than being dependent on myself to make the track because I maybe didn't trust myself enough then.

I want the people making this music to stick to what they know in terms of ensuring that they remain true to that and the authenticity. Don't be afraid to be original and explore of course, but don't necessarily abandon certain standards in order to try to appeal to other people.

Every artist, to me, should know why they're doing what they're doing. You shouldn't create simply because it sounds good to you. That's not a real response to me.