Spanish and English have such different music, and in my own poetry I feel much less drawn to fluid sounds than I do toward the hard sounds and rhythms that come out of the Anglo-Saxon roots of English.

There are some books in which every poem is a facet of the same thing. So the book is like a piece of music. And there are books of poems that I love so much that I carry them around with me.

My books have come many years apart and each one seems to reflect a period of experience. Ending the book is like putting a period on a certain movement. Interior and external - both.

Poetry is a tree with very deep roots and while there may be excitement about this or that new little branch, you're not going to make anything original by just doing whatever's being rewarded at the moment.

From the beginning. I was a poem-writing child. I wrote little novels in my composition book when I was eight, nine years old.

I love that people want to know about poetry. It's one of the ways of keeping alive.

After I started publishing poetry I got to teach creative writing. Eventually I was promoted and even got tenure. But then I felt compelled to drop everything and move. But I've been teaching for a long time. More than four decades.