I've done a lot of movies that don't have any music in them, and I've always sort of had a kind of wary attitude about music because it can be so manipulative, and also because with pop music, I feel like everybody kind of has their own relationship to songs.

I don't want to force somebody to talk about sensitive subjects if they're not into it, but at the very least, even if that's happening off camera, it's allowing everybody to be on the same level, and creates an atmosphere on set that engenders trust.

I guess I probably see myself as a director. If I had to choose, I think that that's the aspect of the process that I'm most excited by.

The more that I work with people that I don't know, the more I invite somebody in who's potentially going to really hate being there.

I do think there's a smaller audience that's looking for something that's a little more adult and a little more nuanced [than many Hollywood movies]. At the same time, I think everyone who's making movies hopes to appeal to the widest audience possible.

I've never been able to develop a movie over several years, and keep coming back to it and adding to it. I get excited by the spark of an idea, and if I can't go make that, there's another idea that comes along that I get excited about. It has to happen quickly, in order for it to happen, at all.

The really cool thing is all about being able to take your movie around and show it. It puts you in direct contact with people who are like-minded and interested in similar things. I think the film festival circuit has certainly helped to foster the community.