I do some freelance web design stuff. I taught a directing class for this not-for-profit organization here in Chicago a couple months ago. I wrote a thing for Filmmaker Magazine a couple months ago. Occasionally, I'll get to go speak to students at a university and make a little money that way, which is great. I really like doing that.

I've done a lot of movies that don't have any music in them, and I've always sort of had a kind of wary attitude about music because it can be so manipulative, and also because with pop music, I feel like everybody kind of has their own relationship to songs.

[Having bigger budget] allowed me to be a full-time filmmaker for a couple months and not have to have a day job and be balancing a bunch of other stuff. It allowed me to bring in all these people from different parts of the country. It allows me to have an actual food budget, where we could eat healthy for the month we were shooting. It makes all the difference in the world.

I think I'll try to keep working in film for a little bit. There's something still kind of magical about it, that I don't want to let go of.

If you're a working mom, you're still expected to be a super-mom at home, buy organic food, put dinner on the table every night, and do all the research into preschools. It's really hard.

There's something really nice about missing the person you're with. To have someone be apart enough to force independence and to also look forward to seeing that person.

Most of my horror inspiration is really older stuff and really new stuff.