The primary ambition of Nietzsche's critique of knowledge is ... to demonstrate that 'truths' are fictions masking moral commitments.

The virtual suppression of ethical discussion after 1845 produces the semblance of purely descriptive analysis, dressed in the mantle of positivist objectivity, analysis which is, in fact, strung to a framework of crude, because unexplicated, moral assumptions.

There is a strain in Marx of the cleric, of the vulgar moralist. He paints the capitalist and the bourgeois as incarnations of evil; it is they who are responsible for the woes of mankind. The dismissal of the individual's responsibility for his own misery is the quintessence of clericalism.

Nietzsche saw in the Protestant ethic, in both its religious and secular (economic) forms, a final protest before the emergence into dominance of the ordered, bourgeois world of the 'last man' he who will pay any price in tedium for comfort and the absence of tension.

The garden [of Eden] is the realm of pure beauty from which man is expelled when he becomes interested in ethics, in the fruit of the tree of knowledge of good and evil. The return into paradise, the homecoming, depends on him penetrating the veils of morality to glimpse again the lineaments of lost beauty.

Nietzsche ... argues that all that passes in the life of a society is ephemeral and banausic except for the presence of great personalities, of men like Goethe ... who seem to forge their own destinies, who seem to move unhampered by those burdens of existence which keep most men from rising above the vicissitudes of their daily toil.

Man is more than an animal only in that he finds expression for the beautiful.