Dostoevsky's underground man ... observes his contemporaries striving to establish false goals where there are no naturally generated ones. ... He argues they should be conscious and honest enough to recognize that the goal itself is not an absolute, and probably not even important. A strong attachment to the telos indicates that the spontaneous enjoyment the child once took in road-building has waned.

The garden [of Eden] is the realm of pure beauty from which man is expelled when he becomes interested in ethics, in the fruit of the tree of knowledge of good and evil. The return into paradise, the homecoming, depends on him penetrating the veils of morality to glimpse again the lineaments of lost beauty.

For Dostoevsky, Fourier is one of the industrious ant-hill engineers, busy, protected by the delusion that his goal, the will-ordered society, is the summation of all his desires.

Men become utilitarian out of fear of the alternative the chaos of tangled or tepid desires, of rootlessness and boredom.

Stirner and Nietzsche [adopt] a mode of thinking which is personal, introspective, and which while often operating on alternative systems of belief and action does so only as a means of better grasping one dominant goal the patterns of individual redemption. Stirner and Nietzsche are not primarily interested in critique as such. ... Their work is too egoistically compelled for them ever to employ the external world as more than the repository for a series of projections of their own.

Nietzsche himself was a great moralist; his writings abound with value judgments about individuals, character types, modes of thinking, and national traits. It is as if he develops immoralist psychology in order to tame his own nature, to keep his own greatest vice in check.

A teleology directed to material ends has been substituted for the lust for adventure, variety, and play.