If man is to remain the creator and master of his world then, Stirner maintains, ... all that has been accepted, that has taken on the secure guise of the 'fact', must be return to a state of flux, or be rejected.

The garden [of Eden] is the realm of pure beauty from which man is expelled when he becomes interested in ethics, in the fruit of the tree of knowledge of good and evil. The return into paradise, the homecoming, depends on him penetrating the veils of morality to glimpse again the lineaments of lost beauty.

The virtual suppression of ethical discussion after 1845 produces the semblance of purely descriptive analysis, dressed in the mantle of positivist objectivity, analysis which is, in fact, strung to a framework of crude, because unexplicated, moral assumptions.

A teleology directed to material ends has been substituted for the lust for adventure, variety, and play.

Politics and the affairs of State are dissociated from the orbit of the individual, and in so far as they cannot be repossessed as his living private property they must be rendered impotent.

Stirner and Nietzsche ... reveal how prone morality is to being used as a means of rationalization, a cloak for concealing violent and brutish passions, and making their sadistic expression a virtue.

The ugliness of the ideological lies in its legitimating the pursuit of the trivial.