A teleology directed to material ends has been substituted for the lust for adventure, variety, and play.

The attachment to a rationalistic, teleological notion of progress indicates the absence of true progress; he whose life does not unfold satisfyingly under its own momentum is driven to moralize it, to set up goals and rationalize their achievement as progress.

What stands most explicitly as critique in Nietzsche's late work in not a development from earlier interests but a return to two problems of enduring personal involvement for him, those of Wagner and of Christianity. Der Antichrist , to take one case, is not a response to a resuscitating public interest in Christian religion; it is primarily a renewed attempt to resolve for himself the question of piety.

Stirner's political praxis is quixotic. It accepts the established hierarchies of constraint as given. ... Not liable to any radical change, they constitute part of the theatre housing the individual's action. ... The egoist uses the elements of the social structure as props in his self-expressive act.

The original of morals lies with the thought that 'the community is more valuable than the individual' (Menschliches 2.1.89

The garden [of Eden] is the realm of pure beauty from which man is expelled when he becomes interested in ethics, in the fruit of the tree of knowledge of good and evil. The return into paradise, the homecoming, depends on him penetrating the veils of morality to glimpse again the lineaments of lost beauty.

Stirner and Nietzsche ... reveal how prone morality is to being used as a means of rationalization, a cloak for concealing violent and brutish passions, and making their sadistic expression a virtue.