I would ask the people who were generous toward my own work. After class one day a poetry professor said to me, "Hey, there's this guy Basho you would find interesting," and so I found Basho. A fiction teacher told me, "You ought to read Clarice Lispector if you're interested in that sort of in-between stuff," and then Lispector appeared. It's not magic. You just keep your eyes open.

It's fun to just skim through piles of books in the stacks of a library.

Plutarch's peers were writing "rhetorics," which were these dry philosophical treatises that made really broad gestures about life and death and fate. Plutarch stepped out of the stream to create an essayistic form that relied on a digressive structure and down to earth anecdotes.

The intimate and meditative form that Plutarch became known for was completely new in his day.

If Plutarch is the essayist I want to believe he is, he would want us all to sit in his chair.

In some ways we want definitions that can help protect our own interpretations of the genre.

People like to say that Plutarch's is a really "personal" voice, but in truth Plutarch tells us very little about his life. His voice is personable but never personal. It feels intimate because he's addressing the world as we experience it, at this level, a human level, rather than way up here where very few of us live.