You're like, "I don't want to argue with Dr. Drew on national radio." You're like the invited guest. But at the same time, as a thinking person, it's very difficult just to stand by and go, "Yeah, man, it's cool."

So we've done science songs. We've done historical songs. A lot of people would like us to do more historical songs. Our history record would probably be like the people's history of the United States, set to music.

Between me and my wife, there's this joke where I'll be doing some fun interview, and I'll get off the phone and be like, "That guy was an idiot." A lot of times, interviews are like being asked a list of questions. Invariably, there will be this part where they think you're a writer for Letterman: "Just off the top of your head, tell me the 10 most influential bands on you." And you're actually asked to come up with a spontaneous list. It's like, "Dude, I'm not living in High Fidelity."

Every declarative statement that comes out of an interview with somebody is actually in response to a question. It's like this very real interpersonal dance where one of the people involved is invisible.

In an interview John [Linnell] said, 'At a certain point you just get tired of the way the other person breathes,' and I took that pretty hard because I, personally, am infatuated with the way John breathes.

I read The Onion, and I've read a lot of interviews that are very direct, often with people who are never direct. Which is interesting. But somehow the A.V.Club part of The Onion, I don't think is telegraphed into the popular culture.

Being in a band, a lot of times people think of what you're doing in terms of a competition. They talk about where you are professionally in your career, and all this other stuff. And if you're a lifer, you know it's going to be ups and downs. It's not like anybody is always just steady on.