It's hard to tell a shallow person that they should care more about the feelings of the awkward and the alienated.

In an interview John [Linnell] said, 'At a certain point you just get tired of the way the other person breathes,' and I took that pretty hard because I, personally, am infatuated with the way John breathes.

When we're on tour, probably we don't go 24 hours without someone asking us where we came up with the name They Might Be Giants. Which, on one level, seems like a completely legitimate question. If I think of other bands, like The Beatles, it would explain to me that John Lennon had a proclivity for slightly cheap puns. But I'm not sure how much insight that would give me into what's actually good about The Beatles' music.

In Germany there's something about rock music much more political than it really is - like everything you were doing was an indictment of the American culture. I read an interview with one of the members of Sebadoh. He was saying he had just got back from touring Germany for the first time in five years or whatever, and one of the interviewers asked him, "Why aren't you still relevant?"

The main thing that we're doing is thinking we can control anything, which is the biggest false assumption we can make. I think we can figure out how to tread a lot more lightly on the environment, and we'll be a lot better off.

Being in a band, a lot of times people think of what you're doing in terms of a competition. They talk about where you are professionally in your career, and all this other stuff. And if you're a lifer, you know it's going to be ups and downs. It's not like anybody is always just steady on.

All rock music is fake news.