That really sums up the strange bluntness that a really prime German interview can have. They're really interested in your cultural velocity in this way that I don't think people in the United States even necessarily think about alternative-rock bands. So it's not like we're against regular rock. We're not like a battling army shaking our weapons against The Rolling Stones.

You have to define how much of a cultural politician you are as a performer. There are times where I just want to remain a civilian.

I wrote a thirty-second song that I couldn't finish for a year.

You're like, "I don't want to argue with Dr. Drew on national radio." You're like the invited guest. But at the same time, as a thinking person, it's very difficult just to stand by and go, "Yeah, man, it's cool."

The simplest app on your smartphone requires 40 peoples' purest imagination. The challenges with people on environment, we just have to open some of that creativity. But I don't think it's necessarily about heating clouds or enormous chemical changes in the atmosphere.

In Germany there's something about rock music much more political than it really is - like everything you were doing was an indictment of the American culture. I read an interview with one of the members of Sebadoh. He was saying he had just got back from touring Germany for the first time in five years or whatever, and one of the interviewers asked him, "Why aren't you still relevant?"

Worlds going to hell anyway, have a good time.