Actually, on a slightly more serious but kind of parallel level, I remember being on Loveline before both hosts ascended into loftier places in the culture. But I remember being shocked by Dr. Drew. He went into this extended monologue about how anyone with a baby voice is probably the victim of child abuse or has some daddy issue. As an intellectually curious person, all I could think is that there isn't any clinical evidence about that. But to be the guy wearing the doctor's hat on the radio and teaching everybody about this? It just seemed like a parody of good advice.

You have to define how much of a cultural politician you are as a performer. There are times where I just want to remain a civilian.

A lot of times I'll post things on Facebook, and the immediate response will be like, "Stick to the music!"

So we've done science songs. We've done historical songs. A lot of people would like us to do more historical songs. Our history record would probably be like the people's history of the United States, set to music.

If you do believe in science, you really have to actually stand up and make a stand for it. You can't just say, the facts aren't in. Science is always looking for better explanations to everything, but that doesn't mean that when we get on a plane we don't know what's supposed to happen next. And if it doesn't go the way that it's planned, that's a big, big problem. The culture wars are very tricky and make me a little sad.

I feel like musicians have such a precarious place in the political discourse, because musicians are, sort of just by nature, people-pleasers.

I don't think bands should feel compelled to speak out unless they actually have something to say. I think that's a big mistake, where you're turning into a coyote running off the edge of a cliff. Too often, people just feel like something is happening and they want to be part of this thing, and it's just, there's sort of a "me too!" and that's about it.