Actually, on a slightly more serious but kind of parallel level, I remember being on Loveline before both hosts ascended into loftier places in the culture. But I remember being shocked by Dr. Drew. He went into this extended monologue about how anyone with a baby voice is probably the victim of child abuse or has some daddy issue. As an intellectually curious person, all I could think is that there isn't any clinical evidence about that. But to be the guy wearing the doctor's hat on the radio and teaching everybody about this? It just seemed like a parody of good advice.

We want to be original. To express our most interesting stuff. But you don't see the word "original" come up very often to describe big bands. Our job isn't to pigeonhole ourselves or describe where we fit in. Our goal isn't to fit in. Our goal is to be free of all that stuff.

There's so many simple things that can be done to change our carbon footprint, and to reduce our carbon footprint.

You have to define how much of a cultural politician you are as a performer. There are times where I just want to remain a civilian.

We're affable guys in They Might Be Giants. We're not gonna do the periscope-down thing, but it's a little bit mind-bending. The biggest struggle is trying to figure out a way to back up far enough in your answer that it can be read without the context of the question. Every declarative statement you see that comes out of an interview with somebody is actually in response to a question. So it's sort of like this very real interpersonal dance where one of the people involved is invisible.

It's hard to tell a shallow person that they should care more about the feelings of the awkward and the alienated.

Have you heard Alanis Morisette trying to play the harmonica? She doesn't know how to play the harmonica. Well guess what, Alanis, I INVENTED the 'don't-know-how-to-play-harmonica-harmonica-solo.'