What's fascinating is where they come from in the world. People in Bangladesh, a chap in a fire-base in Tikrit in Iraq. Chap in an Irish pub in Dublin. And lovely to think this literary network - or rather network of readers - is well spread out.

There are 60 million of us [britains] crammed into an area the size of a state. So you don't have that feeling of remoteness at all, ever. And that's reflected in the way our media works, and so on.

Radio is very popular [in Britain], but it doesn't connect us in the same way. It seems to have this community function.

I slightly feel, having written Paraguay and Newfoundland - and both of them have developed eccentricities through isolation - I am quite relieved to be back in France and Germany, and I want people to enjoy these books for the writing and not because they feel they can laugh - some will laugh - at these eccentric places, that's not what I intend.

My parents don't think about Europe at all. The Continent is somewhere else. And they call it the Continent - to reflect, they are no real part of it.

I have to be careful not to visit one place right after the other and write one book after the other. Because I fear writing the same book all over again. That's why I am taking a break and doing something different this time.

I have real fears for Cuba based on the South American experience. Where you have had such a stern regime, as Fidel's [Castro], there is no culture of politics.