Frankly, I kind of want you to be haunted by the unansweredness of the question, because I think being haunted by such things is a valuable part of being a person.

And as we kept driving north, the whole family in the care together, it got darker, and snowier, until finally the road delivered us to the one place that all my youthful trips west never could: home.

Someday no one will remember that she ever existed, I wrote in my notebook, and then, or that I did. Because memories fall apart, too. And then you're left with nothing, left not even with a ghost but with its shadow. In the beginning, she had haunted me, haunted my dreams, but even now, just weeks later, she was slipping away, falling apart in my memory and everyone else's, dying again.

And I will forget her, yes. That which came together will fall apart slowly, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and nothing but herself and her mom in those last moments as she spent as a person.

What I love about the sculpture is that it makes the bones that we are always walking and playing on manifest, like in a world that so often denies the reality of death and the reality that we are surrounded by and outnumbered by the dead. Here, is a very playful way of acknowledging that and acknowledging that and that always, whenever we play, whenever we live, we are living in both literal and metaphorical ways on the memory and bones of the dead.

He reached up t0 grab one and came down with several, and they kept coming, washing over him, floating all around him. Never have tampon strings seemed so beautiful as they rolled up and down with the wind, landing on the ground and then twirling and floating up again, falling and rising and falling and rising.

And, since they are theater people, they are all talking. All of them. Simultaneously. They do not need to be heard; they only need to be speaking.