And, since they are theater people, they are all talking. All of them. Simultaneously. They do not need to be heard; they only need to be speaking.

We all want to do something to mitigate the pain of loss or to turn grief into something positive, to find a silver lining in the clouds. But I believe there is real value in just standing there, being still, being sad.

The challenge is the same whether or not I'm collaborating: to empathize with your reader and to tell a story that will matter to him or her. But the mechanics of going about that challenge change when you're collaborating, because you have someone to help refine your thinking and expand your vision of what might happen.

We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations.

I liked Augustus Waters. I really, really really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially-fraught free throws.

I'm sorry," she says. I wheel around. "You know, you're a total know-it-all. And it's incredibly rude sometimes; I mean, you're not perfect either, and you act like it's my fault but it's not my fault for being quiet or your fault for being a know-it-all. It's not your problem or my problem; it's their problem. They're the demented ones, not us, so don't take it out on me, because the only thing that holds things together for me is having someone else on the Not Demented Team.

And I don't really have anyone upon whom I want to rain down my wrath," I said, because in truth I didn't. I always felt like you had to be important to have enemies. Example: Historically, Germany has had more enemies than Luxembourg, Margo Roth Spiegelman was Germany. And Great Britain. And the United States. And czarist Russia. Me, I'm Luxembourg. Just sitting around, tending sheep, and yodeling.