Wow,” I said. “Are you making this up?” “Hazel Grace, could I, with my meager intellectual capacities, make up a letter from Peter Van Houten featuring phrases like ‘our triumphantly digitized contemporaneity’?” “You could not,” I allowed. “Can I, can I have the email address?” “Of course,” Augustus said, like it was not the best gift ever.

I don't suppose I can wear the flamingo tie," he said as he pulled on black socks. "It's a bit festive, given the occasion," I responded. "Can't wear it to the opera," said the Colonel, almost smiling. "Can't wear it to a funeral. Can't use it to hang myself. It's a bit useless, as ties go." I gave him a tie.

One of the things I like about making stuff in the age of the Internet, is that people make stuff in response to it. You can see people respond to your work visually or musically or with writing.

There are infinite numbers between 0 and 1.

Writing fiction is an inherently political activity because people-even imaginary ones-do not live in vacuums... From Twilight to Romeo and Juliet to The Little Mermaid, no work of the imagination is truly apolitical, because the world and our hopes for it are always part of our stories.

We're invisible. I've never been here with someone else. It's different being invisible with someone.

In the ensuing silence, I have time to contemplate the word cute— how dismissive it is, how it’s the equivalent of calling someone little, how it makes a person into a baby, how the word is a neon sign burning through the dark reading, “Feel Bad About Yourself.