Late in the winter of my seventeenth year, my mother decided I was depressed, presumably because I rarely left the house, spent quite a lot of time in bed, read the same book over and over, ate infrequently, and devoted quite a bit of my abundant free time to thinking about death.

Maybe there is something you're afraid to say, or someone you're afraid to love, or somewhere you're afraid to go. It's gonna hurt. It's gonna hurt because it matters.

You couldn't be more wrong," I said. "You are buying into the cross-stitched sentiments of your parents' throw pillows. You're arguing that the fragile, rare thing is beautiful simply because it is fragile and rare. But that's a lie, and you know it." "You're a hard person to comfort," Augustus said. "Easy comfort isn't comforting," I said.

I always felt like you had to be important to have enemies.

We can hear others, and we can travel with them without moving, and we can imagine them, and we are all connected one to the other by a crazy root system, like so many leaves of grass. But the game makes me wonder wheter we can really ever fully become another.

It's hard to get movie studios to pay a lot of money for movies that don't have robots or explosions.

All along — not only since she left, but for a decade before — I had been imagining her without listening, without knowing that she made as a poor a window as I did. And so I could not imagine her as a person who could feel fear, who could feel isolated in a roomful of people, who could be shy about her record collection because it was too personal to share. Someone who might have read travel books to escape having to live in the town that so many people escape to. Someone who — because no one thought she was a person — had no one to really talk to.