Sometimes I don't get you,' I said. She didn't even glance at me. She just smiled toward the television and said, 'You never get me. That's the whole point.

One of the reasons that metaphor and symbolism are important in books is because they are also important to life. Like, for example say you're in high school and you're a boy and you say to a girl: "Do you like anyone right now?" - that's not the question you're asking. The question you're asking is, "do you like me right now."

Crying adds something: crying is you, plus tears. But the feeling Colin had was some horrible opposite of crying. It was you, minus something. He kept thinking about one word - forever - and felt the burning ache just beneath his rib cage.

Hey Pudge," the Colonel said. "What do you think of a truce?" "It reminds me of when the Germans demanded that the U.S. surrender at the Battle of the Bulge," I said. "I guess I'd say to this truce offer what General McAuliffe said to that one: Nuts.

“I thought we were in a church basement, but we are literally in the heart of Jesus.” “Someone should tell Jesus,” I said. “I mean, it's gotta be dangerous, storing children with cancer in your heart.” “I would tell Him myself.” Augustus said, “but unfortunately I am literally stuck inside of His heart, so He won't be able to hear me.”

It's just that I learned a while ago that the best way to get people to like you is not to like them too much.

Imagining the future is a kind of nostalgia.