I told him they built a statue of Schultz, and then he said that a monument is cold comfort to a dead man, and then I said that the statue was built not for Schultz, but for us--to remind us how to be human.

Is the labyrinth living or dying?

... she called it a paper town. Like, you know, everything so fake and flimsy.

We're not going to break anything. Don't think of it as breaking in to SeaWorld. Think of it as visiting SeaWorld in the middle of the night for free.

And the moral of the story is that you don't remember what happened. What you remember becomes what happened. And the second moral of the story, if a story can have multiple morals, is that Dumpers are not inherently worse than Dumpees - breaking up isn't something that gets done to you; it's something that happens with you.

The Z’s will kill us all, and then the Z’s will die out and in sixty years there will be no one to remember our silly war, Caroline’s wasted ammunition, my year of zombic survivalism, Rene DesCartes’s musings, or Michelangelo’s sculptures. And that is really only the sadness here as I drink a thousand-dollar bottle of wine down here in the cellar: We did a few things worth remembering, and I wish for someone to remember them.

You see how fake it all is. It's not even hard enough to be made out of plastic. It's a paper town.