I told him they built a statue of Schultz, and then he said that a monument is cold comfort to a dead man, and then I said that the statue was built not for Schultz, but for us--to remind us how to be human.

We landed, in fact, parallel to a canal, like there were two runways: one for us and one for waterfowl.

Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way. And Agloe is a place where a paper creation became real. A dot on the map became a real place, more real than the people who created the dot could never have imagined. I thought maybe the paper cutout of a girl could start becoming real here also. And it seemed like a way to tell that paper girl who cared about popularity and clothes and everything else: 'You are going to the paper towns. And you are never coming back.

If you don't imagine, nothing ever happens at all.

And then we were kissing. My hand let go of the oxygen cart and I reached up for his neck, and he pulled me up by my waist onto my tiptoes. As his parted lips met mine, I started to feel breathless in a new and fascinating way. The space around us evaporated, and for a weird moment I really liked my body, this cancer-ruined thing I'd spent years dragging around suddenly seemed worth the struggle, worth the chest tubes and PICC lines and the ceaseless bodily betrayal of the tumors.

Truth resists simplicity.

You know your problem, Quentin? You keep expecting people not to be themselves.