We just sat there quiet for a long time, which was fine, and I was thinking about way back in the very beginning in the Literal Heart of Jesus.

Nothing (at least that can be done by humans) immortalizes anyone. The Fault in Our Stars will hopefully have a long and wonderful life, but it will eventually go out of print, and eventually the last person ever to read it will die, and then the characters will no longer live in any consciousness.Also, that is okay. That is good, actually. That is how it should be. One of the things the characters in this novel have to grapple with is the reality of temporaryness. What Gus in particular must reconcile himself to is that being temporary does not mean being unimportant or meaningless.

Like everyone, I'm saddened and horrified by this. All I'll say is that I'm personally trying to pay more attention to the victims than to their murderer. I certainly will not be mentioning the murderer. I don't think he warrants our attention-particularly since he so clearly wanted it.

I could be worse, you know." "How?" I asked, teasing. "I mean, I have a work of calligraphy over my toilet that reads, 'Bathe yourself in the comfort of God's words,' Hazel. I could be way worse." "Sounds unsanitary," I said.

We must strike down the insidious lie that a book is the creation of an individual soul labouring in isolation. We must strike it down because it threatens the overall quality and breadth of American literature.

The nature of the labyrinth, I scribbled into my spiral notebook, and the way out of it. This teacher rocked. I hated discussion classes. I hated talking, and I hated listening to everyone else stumble on their words and try to phrase things in the vaguest possible way so they wouldn't sound dumb, and I hated how it was all just a game of trying to figure out what the teacher wanted to hear and then saying it. I'm in class, so teach me.

You used," he said, and then took a sharp breath, "to call me Augustus.