I like to know the places I write about. I feel like it helps me ground the novel. My novels are 'realistic novels,' but they can also be fantastical, so it's nice to have a setting that grounds them a little bit.
John GreenWe were sitting there on the couch together, and he pushed himself up to go but then fell back down onto the couch and sneaked a kiss onto my cheek. โAugustus!โ I said. โFriendly,โ he said. He pushed himself up again and really stood this time, then took two steps over to my mom and said, โAlways a pleasure to see you,โ and my mom opened her arms to hug him, whereupon Augustus leaned in and kissed my mom on the cheek. He turned back to me. โSee?โ he asked.
John GreenWe got off at the next exit, quietly, and, switching drivers, we walked in front of the car. We met and I held him, my hands balled into tight fists around his shoulders, and he wrapped his short arms around me and squeezed tight, so that I felt the heaves of his chest as we realized over and over again that we were still alive. I realized it in waves and we held on to each other crying and I thought, 'God we must look so lame,' but it doesn't matter when you have just now realized, all the time later, that you are still alive.
John Green