There are few writers who, if they publish anything, I am going to buy it: Ian McEwan, Scott Turow, Pat Conroy - he was a buddy of mine and I always read his stuff. Also: Harlan Coben, Elmore Leonard, John Le Carre, but he's pushing ninety.

An outline is crucial. It saves so much time. When you write suspense, you have to know where you're going because you have to drop little hints along the way. With the outline, I always know where the story is going. So before I ever write, I prepare an outline of 40 or 50 pages.

I guess under the right circumstances, a man will do just about anything.

He's my client, and he's counting on me. I'll take him, warts and all.

There is no devious and dangerous life. I've lived a charmed life, especially in the last thirty years since I've started publishing. I've won the lottery. And I keep winning it every year and I am so fortunate to do something I thoroughly enjoy and still enjoy after a bunch of books.

Critics should find meaningful work.

I still enjoy the process of writing. If I ever feel like I am going through the motions because I can sell anything at this level, I hope that somebody, somewhere who I trust will tell me to take a break and stop because it's sounding old. But so far, I don't feel like I'm boring anyone.