I navigated the world as a hedge maze of constant fear and worry in which I might take the wrong turn and jeopardize the love of everyone around me and everyone on Earth. That's what I needed in order to survive.

My fame is due to broadcast television.

Tonally, there was no discussion; I just don’t know any other way to do it. I don’t want to make people feel bad, and I don’t want to make their problems into a joke. I do love telling people when they’re right and wrong, but for the most part, it was always going to be about real fights where people have a real difference of opinion and a real dispute. I want to make jokes, but I also want to make a decision that is fair.

There is no ritual that enhances creativity other than just starting.

That catharsis is really the core of the incredibly personal comedy of Louis C.K. or Marc Maron or whatever. And look - I find it fascinating that I'm sitting here talking about some of these things, and not to low tones, and my kids are in the other room. I have to trust that if they hear what I'm saying and they have questions about it, I'll be able to answer it, and that's fine. But that's part of the scariness of it - the reality of opening up my own life and my own feelings.

You know, I began my life as a creative person writing true things for magazines and telling some very honest, straightforward personal essaying for This American Life, but until someone forces you, with a deadline, to really observe your life - unless you're motivated to do it yourself - there's so many stories that you miss.

By the time I was writing the second book, my life had changed rather dramatically, thanks to the intervention of television, and I needed to find a way to discuss that. Otherwise the big, fake book would not be true on some level.