We cannot wholly rely, as though it were Medieval times, [on the notion that] the only reality is what we see in front of us. There are germs. There are changes that are happening in our planet's ecology that are happening over such a long period of time that we cannot see the changes.

I'm a personality - like a George Plimpton who effectively plays himself in a bunch of different roles, or a Paul Lynde-type character.

By the time I was writing the second book, my life had changed rather dramatically, thanks to the intervention of television, and I needed to find a way to discuss that. Otherwise the big, fake book would not be true on some level.

Tonally, there was no discussion; I just don’t know any other way to do it. I don’t want to make people feel bad, and I don’t want to make their problems into a joke. I do love telling people when they’re right and wrong, but for the most part, it was always going to be about real fights where people have a real difference of opinion and a real dispute. I want to make jokes, but I also want to make a decision that is fair.

Specificity is the soul of narrative.

Everyone feels like they would love to be a really cool bartender in a really cool bar, but you're still surrounded by people who want to destroy themselves with alcohol. When you look at it that way, it's not that much fun.

Traffic counting was very boring and cold to sit out on the streets of New Haven in five pairs of pants - well, that's an exaggeration; it was three pairs of pants - in November for hours and hours clicking buttons counting which cars go left, right, and forward.