I'm a huge classics fan. I love Ernest Hemingway and J.D. Salinger. I'm that guy who rereads a book before I read newer stuff, which is probably not all that progressive, and it's not really going to make me a better reader. I'm like, 'Oh, my God, you should read To Kill a Mockingbird.

I forget who said it, but someone said, your job as an actor is to communicate the most honest version of this character, and so the parts of you that you can use are obviously the easiest to access, because you live through them every day.

The one-liner of this movie [ The Hollars], you've probably heard before: 'A guy goes home to his family and finds out about himself.

Now all of us in our thirties are the first generation that get to say, "I don't know how I feel about that system, I don't know if I want kids, I don't know if I want to get married."

I don't want my kids to ever think that I am choosing my job over them.

I think there's a part of us that would like to use the fact that we're married, but you don't want the idea that we're married to overshadow the project itself.We're just looking for something that's so specific and good that it becomes a part of the story of why we did it rather than when we go to do press it's, 'Oh, my God, you're married and that's the only thing we want to talk about.' If we can merge both, that could be great.

In a lot of relationships, when you're an adult, you realize that you've actually just been repeating a pattern. When someone breaks that pattern and it makes you realize what's right or wrong about the person. When you actually have to confront it, that's probably why a lot of adult relationships don't survive.