I was a French Quarter rat from the moment I could get on a bus by myself and go to the French Quarter. I played music most of my early life and it just seemed that to entertain people was a really good thing to do.

I don't celebrate birthdays much, except for decade-wise. It's not a really big thing.

I wrote as a teenager, and once I started acting, you know, you're learning lines, you're doing other people's words, it takes up a lot of time. Especially if you're dedicated to what you're doing, you're trying to do a decent job at it. But I would have said to myself, "Write more, please."

Samuel Beckett is the person that I read the most of - certainly the person whose books I own the most of. Probably 800 or 900, maybe 1,000 books of just Samuel Beckett. By him, about him, in different languages, etc. etc. Notebooks of his, letters of his that I own, personal letters - not to me, but I bought a bunch of correspondence of his. I love his humor, and I'm always blown away by his syntax and his ideas. So I keep reading those.

The copies of The Catcher In The Rye or To Kill A Mockingbird that I own look like they were printed yesterday, and there's not a nick, not a blur, there's not any fading on the jacket at all, because they were taken and protected. A limited edition, by nature, is limited, and also probably more protected because of that. I'd rather have a first trade edition than a special one of 25 that was made years later, even if it's signed by the author. The trade edition is the Holy Grail.

I love reading. I'm fortunate enough to have signed books by Faulkner, Steinbeck, Thomas Pynchon.

I certainly don't condemn anyone who listens to audiobooks. It seems to me that any way we get good literature in our brain is worthwhile.