I think Brad [Furman] crafted an amazing film [The Infiltrator]. It's so complex, it's incredibly thrilling, incredibly touching and it's what people have been trying to do for years in Hollywood, is to try to capture what it's like to be undercover, what is that duality of life? And I think that Brad really caught that.

The thing I gravitated to was being the class clown. It was very competitive.

It doesn't make sense. [Republicans are] not for us. You're not for my values. We're working class people mostly and blue collar. We're your cops, we're your firemen, we're your carpenters and the things we need - we need to protect our unions, we need to protect our Medicare, we need to protect the working class person.

Self-expression, to me, is something that you worked on, that you have mastered a skill to say something in the most artful way that you can. It's not just blurting stuff out and having verbal diarrhea.

You have the hilarity and the great production. These films are distinctive because they are not just topical, they tell good stories and they let scenes play out physically. Apart from the dialogue, the characters also have a non-verbal existence, for example with Scrat.

It takes time to understand yourself, to go inside yourself and to question yourself and really take yourself to task. That's self-expression.

You can't really walk anywhere. Where are you going to go? Everything closes at a certain hour and it's a highway with bars on it; that's what it is.