I like to turn on the TV and watch whatever's on. Nick Kroll does that a lot. He doesn't watch important shows. He'll just turn on a documentary on Mia Hamm and watch it for an hour. Whatever's on, we watch.

I always wanted it to be multi-cam from the beginning. In the first seeds of the idea, I wanted a live audience, multi-cam show. That was very important for me.

I definitely look like a toddler. I feel comfortable and I have a lot of fun out there [John Mulaney Show]. And if I were to be extremely egotistical, I'd say I got a tiny bit better.

There's [John Mulaney Show] jokes that I have in stand up that I wouldn't try to put in, I would try to have someone just speak extemporaneously in the middle of a scene about an episode of "Law and Order" or something.

On Friday night, it was fun [to know] that if you bombed, or whatever was going on, that you'd be on TV at 11. It was a cool feeling, and you'd get a couple hundred dollars.

I've always believed that you often need less. You don't need to hear why people are friends, you don't need to hear why people are roommates, you don't need to hear why someone would help a friend to do something.

I really set out to do this traditional looking and traditional sounding multi-cam sitcom, but then make the world as elastic as an animated show could be. Make the world as surreal as we wanted it to be.