I really set out to do this traditional looking and traditional sounding multi-cam sitcom, but then make the world as elastic as an animated show could be. Make the world as surreal as we wanted it to be.

Things don't exist until they exist.

I never turn on the crowd. Sometimes, you think it's a terrible show, and then afterward, sometimes people say they really liked it. So turning on the crowd is only going to alienate the few people who might like it.

I also had Elliot Gould and Martin Short and Nasim Pedrad - let alone Zack Pearlman who is going to be a huge star, as is Seaton Smith - out there and I love writing for them and just sitting back and watching them be excellent. And when you are sitting across from Elliott Gould sharing a scene it just raises your game.

I was always the squarest person in the cool room, and alternatively, sometimes the weirder person at the mainstream table.

I really set out to do this traditional looking and traditional sounding multi-cam sitcom, but then make the world as elastic as an animated show could be. Make the world as surreal as we wanted it to be.

I don't know if there's a strategy really so much as, like I learned doing standup and had to learn fast, you always just try to give your favorite, strongest stuff as early as possible and you start with what you like the most.