What I've observed is that television in the last decade has increased to something that's almost unrecognizable. They are feature films. That's a huge shift, and it's something the audience expects. They still may want to watch their half-hour sitcom, but when they watch scripted drama, they expect the standard.

I'm truly grateful to the writers of Fringe for giving me that because, over the years, when I've spoken about the character with them, I've always felt that this would be the perfect way to end and complete his journey, and to complete the journey of this series, and they gave it to me.

You basically go in animation and it's all in the imagination. There aren't even pictures to look at. You usually go in there and work with whoever the director is to create this voice and this character.

Lord Of The Rings fandom was massive, worldwide, entrenched. Generally it had been part of the fans' life all their life, because they had it read to them as children; they'd become Tolkien students.

I could go anywhere in the world and people would stop me in the street and talk about Fringe and how much they adored it and asked questions about it.

With science becoming far more accessible to all of us, I've become a pretty avid reader and devourer of it. One of the objectives that I had working with Fringe was to get more people talking about it because it's such fun.

I loved playing Walternate because he was completely the same character, version 1985, and then it developed in such a different way, physically and mentally. So, to be able to play that, in the same television series, as playing the other ones was a fantastic gift for me.