When I write, I aim in my mind not toward New York but to a vague spot a little to the east of Kansas. I think of the books on library shelves, without their jackets, years old, and a countryish teen-aged boy finding them, and having them speak to him. The review, the stacks in Brentano's, are just hurdles to get over, to place the books on that shelf.

People go around mourning the death of God; it's the death of sssin that bothers me. Without ssin, people aren't people any more, they're just ssoul-less sheep.

Dream golf is simply golf played on another course. We chip from glass tables onto moving stairways; we swing in a straightjacket, through masses of cobweb, and awaken not with any sense of unjust hazard but only with a regret that the round can never be completed, and that one of our phantasmal companions has kept the scorecard.

Whatever art offered the men and women of previous eras, what it offers our own, it seems to me, is space - a certain breathing room for the spirit. The town I grew up in had many vacant lots; when I go back now, the vacant lots are gone. They were a luxury, just as tigers and rhinoceri, in the crowded world that is making, are luxuries. Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.

From infancy on, we are all spies; the shame is not this but that the secrets to be discovered are so paltry and few.

America is a vast conspiracy to make you happy.

It skims in through the eye, and by means of the utterly delicate retina hurls shadows like insect legs inward for translation. Then an immense space opens up in silence and an endlessly fecund sub-universe the writer descends, and asks the reader to descend after him, not merely to gain instructions but also to experience delight, the delight of mind freed from matter and exultant in the strength it has stolen from matter.