I will try not to panic, to keep my standard of living modest and to work steadily, even shyly, in the spirit of those medieval carvers who so fondly sculpted the undersides of choir seats.

I think people do look to writers to tell the truth in a way that nobody else quite will, not politicians or ministers or sociologists. A writer's job, is to, by way of fiction, somehow describe the way we live. And to me, this seems an important task, very worth doing, and I think also, to the reading public, it seems, even though they might not articulate it, it seems to them something worth doing also.

The essence of government is concern for the widest possible public interest; the essence of the humanities, it seems to me, is private study, thought, and passion. Publicity is a essential to the one as privacy is to the other.

Basically it's true that my own life has been my chief window for life in America, beginning with my childhood and the conflicts, the struggles, the strains that I felt in my own family.

When I write, I aim in my mind not toward New York but toward a vague spot a little to the east of Kansas.

The educational aspect of art shows has become overbearing: some of exhibits can leave you bleary from trying to read the walls. Presumably a piece of art is timeless and it can say something to us. You are taking away the right of art to talk for itself.

I moved to New England partly because it has a real literary past. The ghosts of Hawthorne and Melville still sit on those green hills. The worship of Mammon is also somewhat lessened there by the spirit of irony. I don't get hay fever in New England either.