Being a famous writer is a little like being a tall dwarf. You're on the edge of normality.

An old essay by John Updike begins, 'We live in an era of gratuitous inventions and negative improvements.' That language is general and abstract, near the top of the ladder. It provokes our thinking, but what concrete evidence leads Updike to his conclusion ? The answer is in his second sentence : 'Consider the beer can.' To be even more specific, Updike was complaining that the invention of the pop-top ruined the aesthetic experience of drinking beer. 'Pop-top' and 'beer' are at the bottom of the ladder, 'aesthetic experience' at the top.

It is easy to love people in memory; the hard thing is to love them when they are there in front of you.

"Hit it with the back of your left hand" was the first swing thought I ever heard, brusquely bu not unlovingly put to me by the aunt-in-law who had moments before placed a golf club in my virgin grip. I was twenty-five, and had spent my youth in a cloisterd precinct of teh middle class where golf was a rumoured something, like champagne breakfasts and divorce, that the rich did.

Within your own generation-the same songs, the same wars, the same attitudes toward those wars, the same rules and radio shows in the air-you can gauge the possibilities and impossibilities. With a person of another generation, you are treading water, playing with fire.

Fiction is nothing less than the subtlest instrument for self-examination and self-display that Mankind has invented yet.

I'm willing to show good taste, if I can, in somebody else's living room, but our reading life is too short for a writer to be in any way polite. Since his words enter into another's brain in silence and intimacy, he should be as honest and explicit as we are with ourselves.