Natural beauty is essentially temporary and sad, hence the impression of obscene mockery which artificial flowers give us.

What other sport holds out hope of improvement to a man or a woman over fifty? True, the pros begin to falter at around forty, but it is their putting nerves that go, not their swings. For a duffer like [me], the room for improvement is so vast that three lifetimes could be spent roaming the fiarways carving away at it, convinced that perfection lies just over the next rise. And that hope, perhaps, is the kindest bliss of all that golf bestows upon its devotees.

It skims in through the eye, and by means of the utterly delicate retina hurls shadows like insect legs inward for translation. Then an immense space opens up in silence and an endlessly fecund sub-universe the writer descends, and asks the reader to descend after him, not merely to gain instructions but also to experience delight, the delight of mind freed from matter and exultant in the strength it has stolen from matter.

History. The more of it you have the more you have to live it. After a little while there gets to be too much of it to memorize and maybe that's when empires start to decline.

Professionalism in art has this difficulty: To be professional is to be dependable, to be dependable is to be predictable, and predictability is esthetically boring - an anti-virtue in a field where we hope to be astonished and startled and at some deep level refreshed.

The essential support and encouragement comes from within, arising out of the mad notion that your society needs to know what only you can tell it.

In a democracy in the 20th and 21st century, if you can't base your fiction upon ordinary people and the issues that engage them, then you are reduced to writing about spectacular unreal people. You know, James Bond or something, and you cook up adventures.