I came from a generation where women were almost deified, and like Groucho Marx's line, "I wouldn't want to be a member of a club that would have me as a member", I thought, "I wouldn't want to sleep with a woman who would sleep with me!" It took me a long time to work my way through that.

What happened is that in the middle of my life I went away and in my own sense of hubris, pride, cynicism, thought, I am an autonomous being in the world, I can control things, I am God.' But my experiment at being God failed! And they do have a great saying in AA: 'Get down off the cross, we need the wood!' And the important thing is to realise you are not the centre of the universe, you are not God.

It took me a while to figure it out, but to have a real hit on Broadway, you have to get the respected Broadway people to like it. But then the production also has to appeal to the most middle-class people who know nothing about Broadway and who come to see it later.

When I started my goal was to make a successful underground movie. I started making movies in the mid-60s. Underground cinema then only lasted about two or three years.

I think it's all independent films. There aren't any! If they were looking for me when I was making Polyester, then it'd be perfect, but they're not. I'm not looking for that. TV is much bigger and better now; far more people see it.

Wealth is walking into any bookshop and buying any book you want without looking at the price tag.

I keep very close in touch with the fans - to see what they like. I'm very in touch with my audience; I get older and they get younger, which I think is the ultimate compliment. I think hitchhiking brought a few of them out! Even though all young people have never hitchhiked, all people my age did at one point in their life, they just don't do it now.