I built my [early] career on negative reviews. There was a cultural war going on, the '60s was going on. All the film critics were square. They hated my movies. You could never have that happen today. Critics are way too hip.

I've signed peoples' parole cards at book signings and it's very touching.

My idea of rich is that you can buy every book you ever want without looking at the price and you're never around assholes. That's the two things to really fight for in life.

My films can be considered political action against the tyranny of good taste.

I used to run away to New York from Baltimore all the time.I would get on the Greyhound bus and tell my parents I was going to some sorority weekend. I'd even make up fake permission slips, come to New York and just ask people on the street if I could stay with them and go see midnight movies.

So to make movies, if you're first goal is to make money, well you can! Make a tent-pole movie that China wants. But that's not the kind of thing that's really going to get your remembered. You're not going to change anything with that. You might become rich from it!

I never had any desire to get a tattoo. If I was ever going to get one, I would get a plain anchor with a rope around it, the most unimaginative possible tattoo, like Popeye had.