It was a mystery to me. To that awful black-and-white farm, with that aunt who was dressed badly, with smelly farm animals around when she could live with winged monkeys and magic shoes and gay lions. I didn't get it.

I just went to Times Square and the underground movies, sometimes three a day. I did get my education. But I really believed then, in 1966, they would not have allowed me to make any of the movies I made. Today, you could make a snuff movie at NYU and get an A.

When I started making movies about weird people, I knew they were weird, I was infected with irony, and I wanted New York to notice.

Without obsession, life is nothing.

At the premiere of Hairspray on Broadway, Harvey Fierstein's mom said to my mom, "Didn't we raise great sons?" and my mother just started sobbing, because I'm sure they'd both been through other nights when people didn't say that.

I make a great part of my living by traveling and speaking. To me, it's like being a politician, you meet your audience, you constantly see the people and they're getting younger for me which is really, really encouraging. I get older and my audience gets younger. It couldn't be better.

My favorite characters are people who think they're normal but they're not. I live in Baltimore, and it's full of people like that. I've also lived in New York, which is full of people who think they're crazy, but they're completely normal.