Once I had a shrink who said, "Your parents are the fuel you run on," because I was raised in the tyranny of good taste. If my parents hadn't taught me all that, I couldn't have made fun of it. So I thank them, and they were loving. It takes a long time to realize that they made me feel safe when I lived a life which was very not safe.

I was always flattered, but I just want my movies to make money. I want to be commercial. I'm never the person who says, "I don't care if people don't see my movies." I always want people to see my movies.

I'm a film director. Gay is an adjective that I certainly am, but I don't know that it's my first one. I think if you're just a gay filmmaker, you get pigeonholed just like if you say I'm a black filmmaker, I'm a Spanish filmmaker, I'm a whatever.

The "Texas Chainsaw Massacre" hitchhiker really made people never want to hitchhike again - the hitcher, the show. Hitchhiking is always vaguely sexual.

If you think someone's trying too hard, that's the worst thing they can do. To me, it's just desperate, never funny and never witty. It's kind of really old hat because just being shocking isn't enough. It has to change how you think about something. It has to startle you. It has to make you look at something and reconsider whether you're right. That's the whole point.

Maybe there is no better novel in the world than Denton Welch's In Youth Is Pleasure. Just holding it in my hands, so precious, so beyond gay, so deliciously subversive, is enough to make illiteracy a worse social crime than hunger.

New York was the last place that my movies caught on. I didn't make underground movies in New York, and in the 1960s, they were very snobby about that, because the whole scene was here.