When you play a character that exists or existed, there's a stronger responsibility that you have. You owe that person and then you owe the family, you owe history, you owe the victims, the victims' families.

The only creatures that are evolved enough to convey pure love are dogs and infants.

My children's favorite, and it's funny because they've seen it but they have a difficult time watching it because it's their dad and they make that connection, but Edward Scissorhands is by far my kids' favorite. They just connect with the character, and they see their dad feeling that isolation, that loneliness. He's a tragic character, so I think it's hard for them. They bawl.

I remember in that red leisure suit I sort of felt like a Pizza Hut employee, and the white one was the ultimate, with the white turtleneck collar, that was the ultimate in bad taste.

School's a weird thing. I'm not sure it works.

I always felt that if you're not trying something different each time out of the gate, you're being safe, and you don't ever want to find that place of safety. I like that, each time, before I even go in front of the cameras, the studio's reaction will be fear.

When I'm at our house in France I totally cut myself off from the rest of the world. I never have to listen to phones ringing and that's because - and Vanessa would confirm this - phones are banned from the house. We have a beautiful life and I feel that spending time in France has just calmed me down and made me stop worrying about things which aren't really important.