[The huge success of Curse of the Black Pearl] made perfect sense to me on the one hand, and at the same time, it made no sense at all, which I kind of enjoyed. Even now, with the dolls and the cereal boxes and snacks and fruit juices, it all just feels fun to me, in a Warholian way. It's absurd. It doesn't get more absurd.

I'm attracted to the extreme light and the extreme dark. I'm interested in the human condition and what makes people tick. I'm interested in the things people try to hide.

I'm not 'Blockbuster Boy.' I never wanted to be. I wasn't looking for that.

It's kind of interesting to experience that kind of a ride after well, essentially so many years of enjoying a career based on failures and then suddenly something clicks. The weird thing is, I never changed a thing. The process is still the process as it ever was. The fact that people decided to go and see a movie that I was in was probably the most shocking thing that I've ever been through.

I remember in that red leisure suit I sort of felt like a Pizza Hut employee, and the white one was the ultimate, with the white turtleneck collar, that was the ultimate in bad taste.

My body is a journal in a way. It's like what sailors used to do, where every tattoo meant something, a specific time in your life when you make a mark on yourself, whether you do it yourself with a knife or with a professional tattoo artist.

Marriage can be whatever you define it as. For example, I don't feel like I need a piece of paper that says I own her and she owns me. I think signing a piece of paper doesn't mean anything in the eyes of God or in the eyes of people. The thing is, if you are together and you love each other and are good to each other, make babies and all that, for all intents and purposes you are married.