When you realize you're essentially you're God, there ain't nothing on earth more powerful than you, you can do anything you want.

One day, the people that didn't believe in you will tell everyone how they met you.

I've been lucky enough to work with a make-up artist, Joel Harlow, who you can throw anything at. I said, "Joel, I need to go to the London eye with my children and I want to look like a roadie from Lynyrd Skynyrd."

There are these mythic unicorn-y tales of method acting, but Marlon [Brando] wanted to have a good time.

The funny thing is you oddly don't really say goodbye to all the characters you've played. There's like a chest of drawers in your head that you can always access. They're always around. I'm not sure if that's healthy. But they're all there.

Barrie and the wonderful characters he created, Lewis Carroll, even French literature, like Baudelaire or over in the States, Poe, you open those books, you open The Flowers of Evil and begin to read. If it were written today, you'd be absolutely stupefied by the work. It's this incredible period where the work is timeless, ageless. So yeah, I just love all those guys. It's my deep passion in those great 19th century writers.

While they'd be setting up shots, suddenly, there were 17 make-up chicks, just listening to Marlon telling these amazing stories that were probably lies. He was a fascinating individual. I learned a lot from him.